Momo Gordon

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I don’t have a fixed style for my characters because I think everyone looks so different. It’s really difficult for me to pin down a human form that I like to draw over and over. I do have an obsession with the idea that our spaces define who we are, not the other way around. Especially during quarantine, our rooms were shaping us. Someone said my works are ‘emotional landscapes’. I became fixated on that idea and started researching hostile architecture. That’s when the spaces I was drawing changed; I suddenly felt that there needed to be a reason for everything. Aesthetics aren’t enough; it can’t just be that it looks good with columns or some weird bed. The elements in my drawings have to connect to the narrative. I think that concept really came forward in the last story that I did, Palazzo Specchio (place of mirrors).

Excerpt from interview with Maya Strobbe for BOEKS POST COMICS.